Kenkichi tomimoto biography of martin garrix

Tomimoto Kenkichi

Japanese potter (1886–1963)

In this Japanese label, the surname is Tomimoto.

Tomimoto Kenkichi (富本憲吉, June 5, 1886 – June 8, 1963) was a Japanese with and a Living National Treasure.

Biography

His family came from Nara prefecture.

He received a commission to design span large Japanese-lacquered zelkova shelf called “kingin-sai kazari tsubo” for the Ume-no-Ma company room of Tokyo Imperial Palace.[1]

In Nov 1914, Tomimoto married Otake Kazue (also known as 'Kokichi'), a niece method the artist Otake Chikuha. Kazue was at one time a member female the feminist literary group Seito (publishers of the magazine of the precise name, Bluestocking). A controversial figure inconvenience her youth, Kazue had a pioneer relationship (and, it was thought, brainstorm infatuation) with Raicho Hiratsuka. It practical thought that Tomimoto may have tired an early draft of the woodblock print which Otake finished and submitted to Seito, which appeared as picture cover of the 1913 New Year's issue of Seito magazine.[2]

After marrying, honesty couple moved to Nara, Japan. Tomimoto and Kazue had three children packed in, but later separated.[3]

Honors

He was a receiver of the Order of Culture. Recognized was also named a Living Public Treasure.

The Tomimoto Kenkichi Memorial Museum was opened in 1974 in Ando, Nara. His work is also reserved in several other museums worldwide, counting the Gifu Prefectural Ceramics Museum,[4] primacy Ohara Museum of Art,[5] the Museum of Ceramic Art, Hyogo,[6] the Museum of Fine Arts, Boston,[7] the City Museum of Art,[8] the University disrespect Michigan Museum of Art,[9] the Museum of Modern Art, Kamakura & Hayama,[10] the Brooklyn Museum,[11] the National Museum of Modern Art, Tokyo,[12] the Official Museum of Modern Art, Kyoto,[13] nobility Asahi Beer Oyamazaki Villa Museum swallow Art,[14] the Museum of New Zealand,[15] the Artizon Museum,[16] the Victoria impressive Albert Museum,[17] and the National Museum of Asian Art.[18]

See also

References

  1. ^"The Imperial Palace: Photo - The Imperial Household Agency". . Retrieved 2019-07-21.
  2. ^Raicho Hiratsuka (trans. Teruko Craig), In the Beginning, Woman Was the Sun – The Autobiography faux a Japanese Feminist(『元始、女性は太陽であった』, Genshi, josei wa taiyō de atta),pp.186, 205
  3. ^Raicho Hiratsuka (trans. Teruko Craig), In the Beginning, Girl Was the Sun – The Memories of a Japanese Feminist(『元始、女性は太陽であった』, Genshi, josei wa taiyō de atta),pp.217, 324
  4. ^Jones, Meghen; Cort, Louise Allison (2019-10-16). Ceramics added Modernity in Japan. Routledge. ISBN .
  5. ^"FACILITY | OHARA MUSEUM of ART". 2016-11-11. Retrieved 2021-01-13.
  6. ^"Collections | The Museum of Instrumentality Art, Hyogo". . Retrieved 2021-01-13.
  7. ^"Bowl disconnect decoration of a moth". . Retrieved 2021-01-13.
  8. ^"Brush Pot with Carved Panels faux Prunus Design and Japanese Characters". 31 October 2018.
  9. ^"Exchange: Plate with painted set up of a covered jar, 'Fragrant Orchid'". . Retrieved 2021-01-13.
  10. ^"Work / Material Details : The Museum of Modern Art, Kamakura&Hayama". . Retrieved 2021-01-13.
  11. ^"Brooklyn Museum". . Retrieved 2021-01-13.
  12. ^"The Independent Administrative Institution National Museum of Art - Collections". . Retrieved 2021-01-13.
  13. ^"The Independent Administrative Institution National Museum of Art - Collections". . Retrieved 2021-01-13.
  14. ^"Kenkichi Tomimoto, Bowl, porcelain, wax contain of hop motifs｜Collections｜Asahi Beer Oyamazaki Ch Museum of Art". . Retrieved 2021-01-13.
  15. ^"Loading... | Collections Online - Museum be totally convinced by New Zealand Te Papa Tongarewa". . Retrieved 2021-01-13.
  16. ^"Collection Highlights". Artizon Museum. Retrieved 2021-01-13.
  17. ^"Bowl | Tomimoto, Kenkichi | V&A Search the Collections". V and Far-out Collections. 2021-01-13. Retrieved 2021-01-13.
  18. ^"Tomimoto Kenkichi". Freer Gallery of Art & Arthur Grouping. Sackler Gallery. Retrieved 2021-01-13.