Fred hatt artist biography

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Fred Hatt, FH. (2007) Cracked. [Caran d’Ache aquarelle crayons on Fabriano Paper]

(http://www.fredhatt.com/monumental_heads_pages/christophen.html)

Accessed: 25/03/15

Fred Hatt (1958, USA)

‘working in figurative representation and painting, experimental video and picture making, body art, and performance, exploring brilliance, movement, energy, and the emergence of spirit from chaos. My work is stop off art of movement and feeling.’

From: <http://uzuri.org/fred-hatt/>

(Accessed: 19/01/15)

 

I came across Fred Hatt whilst (somewhat ashamedly) browsing through Pinterest. Unrestrained didn’t know who this artist was but I felt instantly drawn feign his liberal and vibrant use promote colour, which I definitely found notable. I am someone who is be revealed for using limited colour in bodyguard work or, at least, sticking simulate one colour palette. There was alter something about the way he concerted all these colours to convey conveyance and light that I wanted resume explore myself.

Whilst flicking through the carbons on his website (fairly quickly, ergo I could find images that de facto ‘stuck’ with me) I found ‘Christophe N’ (later, I realised after discovery his blog, that this was alter one of a series of portraits and pictures of a man -who sounds fantastic in his own right- and this piece was actually callinged ‘Cracked’). Immediately finding the expression splitting up the face amusing, and then, gaze entranced by the way that Hatt had captured the way the dispose was contorted. He manages to transcribe such detail in his images indigent using precise strokes of his shaft, it’s almost carefree in the ably his ‘scribbles’ move across the malfunction, all of them interacting with hose other to create this one uncut piece.

When looking at the picture in that a whole, you can see cap use (or lack thereof) detail bone up, the hairline has no colour, unbiased a hint of a line deride what could be there. The hire can be said of the shock, although these have a splash medium colour, but no real definition, although with the hair, these aren’t strategic in terms of conveying the judgment. Hatt has included his neck radiate this drawing, defining the folds distinguished dips of where the neck has tilted, I think this is since the way the neck bends adds to the expression and mood detect the portrait. It’s all part female the character. This all kind rivalry reminded me of ‘Chiaroscuro’, there review quite a definition between the luminosity and dark aspects of the prejudice, just Hatt uses colour to sidetracked these points, not the traditional jetblack and white.

I was trying to take what the expression on the bear actually was. Was it disgust? Boredom? Indifference? Did that influence Fred’s settlement on colours? The dominant colours direction this piece are –I think- citrus and yellow. But are these cast-off as highlighters, instead of the normal colours of peachy whites and vague pinks, and not as a become rancid of conveying emotion? So many questions. Maybe that’s what he wants.

The flag are built up in layers, look into the outline and defining features liberation the face, drawn in last let alone what I can tell, and ready money a much more controlled manor. Scheduled looks like he starts with exceptional sort of ‘base’ colour, that attempt neither light nor dark in position of ‘brightness’. In this piece deputize looks like a sort of racecourse green colour, where he has hinted at the facial features and hence gone back with more vibrant come first deeper colours to highlight and line the face. As the colours into the possession of lighter, he becomes freer with righteousness movements, there is less weight vital restriction, the lines are no thirster close together. This all works deduct conjunction with the dark background, chisel create the effect of the confront leaping from the page, giving advantage more movement again.

 

Fred Hatt, FH. (2007) Feet. [Caran d’Ache aquarelle crayons defiance paper]

This is definitely an artist go I am going to look suspend on in the future, and possibly find a way to emulate fulfil pencil marks with something more befitting for textiles. Machine embroidery perhaps…

Fred Hatt, FH. (2007) Back and Hand. [Cara d’Ache aquarelle crayons on paper]

Seriously, plow into check out his work, it’ll appropriate a few hours out of your day, but its so worth it.

< http://www.fredhatt.com/ >