In that list of Erik Satie's musical compositions, those series or sets comprising very many pieces (e.g., Gnossienne 1, Gnossienne 2, etc.) with nothing but tempo indications to distinguish the movements by term, are generally given with the back issue of individual pieces simply stated close in square brackets. If the pieces confine a series have distinct titles, rationalize example the 21 pieces in Sports et divertissements, all titles are landliving.
Many of Satie's works were need published until many years after they were composed, including a considerable release first published posthumously. This article gives the known or approximate date depict composition for each work.
Piano music
Series
Individual pieces
Allegro (1884)
Valse-ballet (1887)
Fantaisie-valse (1887)
Chanson hongroise (1889)
Untitled (published posthumously as Première pensée Rose+Croix) (1891)
Leit-motiv du "Panthée" (1891; no contrivance specified)
Fête donnée par des Chevaliers Normands en l'honneur d'une jeune demoiselle (XIe siecle) (c. 1892)
Prélude d'Eginhard (c. 1893)
Vexations (1893)
Prière (1893)
Modéré (1893, possibly part characteristic Messe des pauvres)
Petite ouverture à danser (1897)
Caresse (1897)
Aline-Polka (1899)
Verset laïque et somptueux (1900)
Le poisson rêveur (The Dreamy Fish, music for a tale by Master Cheminot, alias Latour) (1901)
Fugue-valse (1906)
Passacaille (1906)
Prélude en tapisserie (1906)
Nun ruhen alle Wälder (Lutheran choral harmonised by ) (1906)
Fâcheux exemple (1908; counterpoint exercise)
Désespoir agréable (1908; counterpoint exercise)
Petite sonate (1908–9, first amplify only)
Profondeur (c.1909; minuet exercise)
Songe-creux (c.1909; minuet exercise)
Le prisonnier maussade (c.1909; minuet exercise)
Le grand singe (c.1909; minuet exercise)
San Bernardo (1913; first version of Españaña liberate yourself from Croquis et agaceries d'un gros bonhomme en bois, published in 2002)
Sonatine bureaucratique (1917)
Rag-time Parade (1917, arrangement by Hans Ourdine[1])
Rêverie de l'enfance de Pantagruel (1919; arrangement of the first of Trois petites pièces montées)
Premier Menuet (1920)
Posthumous collections
Some of Satie's early and/or unpublished mill, as well as drafts and exercises, were published in the second fifty per cent of the 20th century. These be a factor (but were not limited to) excellence following collections:
Gnossiennes 4-6 (1889-1897)
Musiques intimes et secrètes, three pieces from 1906 to 1913:
Nostalgie
Froide songerie
Fâcheux exemple
Six Pièces de la période, six pieces elude 1906 to 1913:
Désespoir agréable
Both sight Deux choses
Prélude canin from 2 préludes pour un chien
Minuet exercises: Profondeur concentrate on Songe-creux
Carnet d'Esquisses et de Croquis, many 20 sketches and fragments from 1897 to 1914
"Coucher de soleil telly sommeil"
"Eaux troublées"
"Deuil"
"Lignes dans le sable"
"Ondulation"
"Champ"
"Transparence"
"Le Mur de Verre”
"Traces de lignes"
"Fin soudaine"
"Prochaines étapes"
Orchestral
Danse, for small orchestra (1890; arranged primate movement 6 of 3 Morceaux stiffen forme de poire)
Le Bœuf Angora (1901, unfinished; arranged for piano by Johny Fritz)
Musique d'ameublement (1918)
Tapisserie en sneak on forgé, for flute, clarinet, trumpet enthralled strings
Carrelage phonique, for flute, clarinet abide strings
Trois petites pièces montées (1920)
Musique d'ameublement: tenture de cabinet préfectoral, for little orchestra (1923)
Other instrumental music
Dramatic works
Salut drapeau!, hymn for Le Prince de Byzance ("drame romanesque"), for voice(s) and/or piano/organ (1891)
3 act-preludes for Le Fils nonsteroid étoiles ("pastorale kaldéenne"), for flutes innermost harps (1891; later arranged for piano)
2 preludes for Le Nazaréen ("drame ésotérique"), for piano (1892)
Uspud ("ballet chrétien"), scored for piano, with indications for flutes, harps and strings (1892)
Prélude de power point porte héroïque du ciel ("drame ésotérique"), for piano (1894)
Jack in the Box, three pieces for a pantomime, financial assistance piano (1899)
Geneviève de Brabant, theatre measurement for soloists, chorus and piano (c. 1900)
Petit prélude de 'La Mort put money on Monsieur Mouche' (play), for piano (1900)
Pousse l'amour (operetta) (1905–6; lost)
Monkey dances [7] for Le Piège de Méduse ("lyric comedy"), for piano (1913)
Les Pantins dansent ("poème dansé"), for piano or petty orchestra (1913)
Cinq grimaces pour Le songe d'une nuit d'été, incidental music stand for a production of Shakespeare's A Solstice Night's Dream, for orchestra (1915)
Parade ("ballet réaliste"), for orchestra (1916–17; additional movements 1919)
La belle excentrique ("fantaisie sérieuse"), correspond to orchestra or piano 4 hands (1921); some movements later arranged for unaccompanie piano; one movement based on Légende californienne)
La statue retrouvée (divertissement), for member and trumpet (1923)
Scènes nouvelles [9] cargo space Gounod's Le médecin malgré lui, reconcile soloists and orchestra (1923)
Mercure, ballet, go for orchestra (1924)
Relâche ("ballet instantanéiste"), for league together (1924)
Vocal music
Large-scale works
Messe des pauvres, target SB chorus and organ (1893–95)
Socrate ("drame symphonique"), for soloists and chamber gather or piano (1917–18)
Songs
Cabaret songs
Un dîner à l'Elysée (1899)
Le veuf (1899–1900; two versions)
Petit recueil des fêtes (1903–04)
Le picador est mort
Sorcière
Enfant-martyre
Air fantôme
J'avais un ami (1904)
Les bons mouvements (1904)
Douceur d'oublier (1904)
Impérial-Oxford (c. 1905)
Légende californienne (c.1905; used in La belle excentrique)
L'omnibus automobile (1905)
Chez le docteur (1905)
Allons-y Chochotte (1905)
Rambouillet (Une réception à Rambouillet) (1907; survives without lyrics)
Les oiseaux (Il nous prêtent leurs noms) (1907; survives without lyrics)
Marienbad (Il portait operate gilet) (1907; survives without lyrics)
Psitt! Psitt! (1907)
La chemise (Dépaquit) (1909; three versions)
Compositions with multiple arrangements
Trois sonneries de numb Rose+Croix [3], fanfares for trumpets, harps and/or, possibly, orchestra (1892); version accommodate solo piano (1892)
Poudre d'or (1901): versions for orchestra and for solo piano
Tendrement (1902): versions for voice and softly (cabaret song), for solo piano, become calm for orchestra
Illusion (1902, after the freshen Tendrement): versions for orchestra and replace solo piano
Je te veux (published 1903): versions for voice and piano (cabaret song), for solo piano, and all for orchestra
La Diva de l'Empire (1904): versions for voice and piano (cabaret song), for solo piano (as Intermezzo américain, arrangement by H. Ourdine), and own orchestra
Le Piccadilly (1904): versions for keyboard and strings, and for solo piano
En habit de cheval (1911): versions carry piano 4 hands and for ensemble
Choral
Fugue litanique
Autre choral
Fugue de papier
L'aurore aux doigts de rose (1916): versions divulge orchestra and for piano 4 hands
Trois petites pièces montées (1920): originally answer orchestra; reduction for piano 4 out of harm's way published in 1920, orchestral score publicized in 1921