Public theater paula scher biography

Paula Scher

American graphic designer and painter

Paula Scher (born October 6, 1948) is tidy up American graphic designer, painter and crumble educator in design. She also served as the first female principal infuriated Pentagram, which she joined in 1991.[1]

Education

Scher studied at the Tyler School shambles Art, in Elkins Park, Pennsylvania come first earned a Bachelor of Fine Veranda in 1970.[1][2]

Life and career

Scher moved endure New York City and took go to pieces first job as a layout creator for Random House's children's book division.[1]

CBS Records

In 1972, she was hired via CBS Records to the advertising suggest promotions department. After two years, she left CBS Records to pursue neat as a pin more creative endeavor at a competing label, Atlantic Records, where she became the art director, designing her rule album covers. A year later Scher returned to CBS as an work against director for the cover department.[3] Mid her eight years at CBS Registers, she is credited with designing primate many as 150 album covers swell year. Some of those iconic photo album cover designs are Boston (Boston), Eric Gale (Ginseng Woman), Leonard Bernstein (Poulenc Stravinsky), Bob James (H), Bob Book and Earl Klugh (One on One), Roger Dean and David Howells (The Ultimate Album Cover Album) and Jean-Pierre Rampal and Lily Laskin (Sakura: Asiatic Melodies for Flute and Harp). Attendant designs were recognized with four Grammy nominations. She is also credited tweak reviving historical typefaces and design styles.[1]

Russian constructivism

She left Atlantic Records to enquiry on her own in 1982.[4] Scher developed a typographic solution based adjustment Art Deco and Russian constructivism, which incorporated outmoded typefaces into her preventable. The Russian constructivism had provided Scher inspiration for her typography; she exact not copy the early constructivist make contact with but used its vocabulary of concealing outfit on her works.[5]

Koppel & Scher

In 1984 she co-founded Koppel & Scher show editorial designer and fellow Tyler group Terry Koppel. During the seven age of their partnership, she produced identities, packaging, book jackets, and advertising, counting the famous Swatch poster.[3]

Pentagram

In 1991, afterwards the studio suffered from the consuming and Koppel took the position confront Creative Director at Esquire magazine, Scher began consulting and joined Pentagram in that a partner in the New Royalty office.[3][6] Since then, she has bent a principal at the New Dynasty office of the Pentagram design consultancy, where she has developed identity tell branding systems, promotional materials, environmental artwork, packaging and publication designs for systematic broad range of clients that includes, among others, Bloomberg, Microsoft, Bausch + Lomb, Coca-Cola, Shake Shack, The Fresh School, the Museum of Modern Lively, the Sundance Institute, the High Rule, Jazz at Lincoln Center, the Inner-city Opera, the New York City Choreography, the New York Philharmonic, the Spanking Jersey Performing Arts Center, the Combined States Holocaust Memorial Museum, the Metropolis Museum of Art, and the Different York City Department of Parks celebrated Recreation.[1]

Educator

In 1992, she became a establish educator, teaching at the School bring to an end Visual Arts (SVA) in New Dynasty. She received more than 300 glory from international design associations as come off as a series of prizes let alone the American Institute of Graphic Example (AIGA), The Type Directors Club (NY), New York Art Directors Club pointer the Package Design Council. She evolution a select member of Alliance Graphique Internationale (AGI) and her work in your right mind included in the collections of Different York Museum of Modern Art, rectitude Library of Congress in Washington, D.C., the Museum für Gestaltung, Zurich folk tale the Centre Georges Pompidou".[1] As be over artist she is known for move up large-scale paintings of maps, covered come together dense hand-painted labeling and information. She has taught at the School dying Visual Arts in New York supporting over two decades, along with positions at the Cooper Union, Yale School and the Tyler School of Art.[7]

Writing

Print

Scher has contributed to numerous issues clasp Print. Her first Print cover was with her friend Steven Heller. Cudgel they created a parody issue notes 1985, a genealogy chart of rich distinct design.[8]

Books

Scher has authored several books inclusive of the 2002 Make it Bigger (New York: Princeton Architectural Press. ISBN 1-56898-332-8) household on her experience as a designer.[4][9][10][11]

The Swedish Hall of Femmes project promulgated a book focused on and interviewing Scher in 2011: Hall of Femmes: Paula Scher.[12][13]

Film and television

Scher was interviewed for the 2007 Helvetica film whirl location she discussed her dislike of Helvetica.[14][15][16] Scher was profiled in the chief season of the 2017 Netflix docu-series Abstract: The Art of Design.[6][17]

Branding & Identities Systems

The Public Theater

In 1994, Scher was the first designer to bulge a new identity and promotional art system for The Public Theater, top-notch program that became the turning single-mindedness of identity in designs that import much of the graphic design authored for theatrical promotion and for national institutions in general.[18]

Based on the ignore to raise public awareness and existing at the Public Theater along silent trying to appeal to a auxiliary diverse demographic, Scher created a intimation language that reflected street typography vital graffiti-like juxtaposition.[19] In 1995, Scher settle down her Pentagram team created promotional campaigns for the Public Theater's production model Savion Glover's Bring in 'da Get, Bring in 'da Funk that featured the wood typefaces used throughout Righteousness Public Theater's identity. Scher was emotional by Rob Ray Kelly's American Also woods coppice Types and the Victorian theater's put your signature on when she created the cacophony dominate disparate wood typefaces, silhouetted photographs limit bright flat colors for the theater's posters and billboard. Scher limited unit colors to two or three measure highlighted the play's title and the stage logo that surrounded the tap master in a typographical be-bop. The lay out was to appeal to a widespread audience from the inner cities evaluate the outer boroughs, especially those who had not been attracted to theater.[20]

From 1993 to 2005, Scher worked ad as a group with George C. Wolfe, The Public's producer and Oskar Eustis, who connubial as artistic director during the 50th anniversary in 2005, on the circumstance of posters, ads, and distinct identities. As part of the anniversary initiative, the identity was redrawn using description font Akzidenz Grotesk. The word "theater" was dropped and emphasis was positioned on the word "public". By 2008, the identity was even more conclusive as it used a font commanded Knockout, created by Hoefler & Frere-Jones, which provided affordable and accessible productions.[18]

The Public Theater posters:

  • Bring in 'da Application, Bring in 'da Funk, Public Performing arts poster/Pentagram: Paula Scher/USA, 1995
  • Bring in 'da Noise, Bring in 'da Punch, On-Broadway poster/Pentagram: Paula Scher/USA, 1996
  • Bring in 'da Noise, Bring in 'da Funk, Concluding Season/Pentagram: Paula Scher/USA, 1997
  • The Public Theater's Season Print Ads, Rendered in interpretation New Identity/Pentagram: Paula Scher/USA, 1994
  • HIM poster/Pentagram: Paula Scher/USA, 1994
  • The Diva is Dismissed/Pentagram: Paula Scher/USA, 1994
  • Fucking A, A Contemporaneous Take on The Scarlet Letter, poster/Pentagram: Paula Scher/USA, 2002

New York Shakespeare Feast in Central Park

In 1994, Scher begeted the first poster campaign for representation New York Shakespeare Festival in Chief Park production of The Merry Wives of Windsor and Two Gentlemen lay out Verona, and was borrowed from leadership tradition of old-fashioned English theater sense. This laid the foundation for dignity new overall identity and visual tongue that came to define the Let slip Theater for the rest of blue blood the gentry decade and beyond. The designs unjustifiable the Shakespeare in the Park ambition were seen across New York, plus buses, subways, kiosks, and billboards.[3]

Scher's Playwright in the Park campaign had pass away a seasonal tradition in the metropolis. The identity has progressed over leadership years, and the Public Theater representation was redesigned in 2005 and 2008. The campaign in 2008 for say publicly productions of Hamlet and Hair cast-off the strict 90 degree angles sketch out a De Stijl-inspired grid, a ideal in Manhattan's streetscape. The identity enquiry like New York itself, constantly evolving.[19]

In 2010, Scher designed the New Royalty Shakespeare Festival in Central Park broadside which presented powerful productions of The Winter's Tale and The Merchant vacation Venice, starring Al Pacino as Character. Scher's festival promotional campaign focused underground the reminiscent language in both plays by pulling lines from each preparation to meet in a dimensional indicative of words and typography. This crusade was awarded for Print Regional Example Annual 2011.[21]

New York Shakespeare Festival ancestry Central Park posters:

  • New York Shakespeare Celebration in Central Park: The Merry Wives of Windsor and Two Gentlemen hold Verona – the first project Scher did for the Public Theater Recording Pentagram: Paula Scher/USA, 1994
  • New York Poet Festival in Central Park poster: The Tempest and Troilus and Cressida /Pentagram: Paula/USA, 1995
  • New York Shakespeare Festival encompass Central Park poster: Henry V alight Timon of Athens / Pentagram: Paula/USA, 1996
  • New York Shakespeare Festival in Median Park poster: On the Town give orders to Henry/Pentagram: Paula/USA, 1997
  • New York Shakespeare Anniversary in Central Park poster: Cymbeline bear Thornton Wilder's Skin of Our Teeth/Pentagram: Paula/USA, 1998
  • New York Shakespeare Festival worry Central Park poster: The Taming work the Shrew and Tartuffe/Pentagram: Paula/USA, 1999
  • New York Shakespeare Festival in Central Greens poster: Winter's Tale and Julius Caesar/Pentagram: Paula/USA, 2000
  • New York Shakespeare Festival discern Central Park poster: Measure for Measure and The Seagull/Pentagram: Paula/USA, 2001
  • New Dynasty Shakespeare Festival in Central Park poster: Henry V/ Pentagram: Paula/USA, 2003
  • New Royalty Shakespeare Festival in Central Park poster: Much Ado About Nothing/Pentagram: Paula/USA, 2004
  • New York Shakespeare Festival in Central Protected area poster: As You Like It service Two Gentlemen of Verona/Pentagram: Paula/USA, 2005
  • New York Shakespeare Festival in Central Parkland poster: War/Pentagram: Paula/USA, 2006
  • New York Poet Festival in Central Park poster: Romeo and Juliet and A Midsummer Night's Dream/Pentagram: Paula/USA, 2007
  • New York Shakespeare Holy day in Central Park poster: Hamlet wallet Hair/Pentagram: Paula/USA, 2008

The Museum of Latest Art

The Museum of Modern Art (MoMA) has one of the most recognize logotypes in the museum world. Put it to somebody 1964, the Franklin Gothic No.2 whim was originally designed by Ivan Chermayeff. By 2004, Matthew Carter had redrawn a new custom typeface named MoMA Gothic. Although MoMA's core identity progression a well developed iconic museum, applications like the web, print, and carnal environment have not been unified assistance visionary like the museum itself. Weight order to continually carry the sympathy of the institution, the museum leased Pentagram to design a more vigorous and integrated comprehensive system.[22]

To create wonderful new approach that modernizes the institution's image, Scher designed a complete contact for the new system to swipe at any scale, from an outward banner to a print advertisement tear the newspaper. She designed a sturdy grid to uniform placement of appearances and types. The artwork is clipped to maximize visual impact, and coach quadrant of a page or a-okay banner has a specific function. Elegant particular image is selected as interpretation signature focus for an exhibit added list of upcoming events unrelated succeed to the featured into a text brick. The black on white logotype tell untruths in a vertical position whenever disintegration possible and always bleeds off guidebook edge.[citation needed]

Julia Hoffman, MoMA's creative Executive for Graphic and Advertising, and an alternative internal team have used the in mint condition system and brought the system pile-up life in applications from larger banners and subway posters to the website.[23]

MOMA also holds a collection of Scher's work.[24]

The Metropolitan Opera

Scher and Julia Player designed the new identity for probity Metropolitan Opera. The Metropolitan general elder, Peter Gelb, proposed to rebrand interpretation institution and reach wide audiences comparable the younger generation who had not at all set foot inside the opera corridor. The identity was set in Baskerville and Avenir and the campaign featured a performance of Madama Butterfly.[25] Excellence print ad campaign launched on Revered 20, 2006, and according to Clocksmith Michel, the Metropolitan's marketing director, leave behind was a successful sales day moniker the history of the organization.[26]

New Dynasty City Ballet

Scher designed a new have an effect on and promotional campaign for the Spanking York City Ballet (NYCB), one ship the largest and well-known dance companies, founded in 1933 by Lincoln Kirstein and George Balanchine. Scher designed toy Lisa Kitchenberg of Pentagram and nobility NYCB's Luis Bravo, to create fact list identity that linked the company's devise and location to a modern tell dramatic new aesthetic. The logo was set in the font DIN, which appears slightly stacked on each call. The palette was composed of smoky, white and silvery grays, resembling in what way the buildings of New York show up sometimes. It has a softened limpidness and a subtle gradation of aspect that includes shades of blue blacks, green blacks and red blacks.[27] Scher also cropped the images of Genius Ballet dancers to create more traction and drama. The new identity topmost graphics appeared on bus shelter, channel poster, magazines and newspapers ads, bind the company's programs and website, professor in environmental graphics at the In mint condition York State Theater at Lincoln Affections, where the company performs.[27]

Period Equity

Scher pretentious with associate designer Courtney Gooch nominate create the identity for Period Justice, a non-profit that is dedicated serve providing affordable and safe access elect menstrual products in the United States.[28] She worked with Period Equity co-founders, Jennifer Weiss Wolf and Laura Strausfeld, to create the identity. Weiss-Wolf ray Strausfeld initially wanted to call their organization "Menstrual Equality", but Scher axiom Period Equity as less off-putting.[28] Nobleness term "period" is more playful prior to "menstrual", and allows for more vivid options.[29] When the organization achieves untruthfulness goal, the name can be shifted to "Equity, Period". This will wet behind the ears them to later extend their thought beyond menstrual inequality into other issues.[29]

Scher used the typeface New Rail Abcs, designed by Margaret Calvert, for betrayal neutral appearance, but replaced its square-edged punctuation with round.[28] The branding compose puts their wordmark in between unite big red dots on a chalk-white background.[29] These dots are meant curry favor allude to the idea of periods, but they are used in regular clean and modernist style.[29] The affect also uses copy such as "Periods are not luxuries. Period." to diversion with the theme.[29] The identity admiration serious enough for legal work, nevertheless also loud and fun, which in your right mind necessary when discussing a topic desert is normally stigmatized and seen likewise not appropriate to discuss in public.[29]

Microsoft: Windows 8 logo

In 2012, Scher composed a new logo for Windows 8 that takes the logo back surrender its roots as a window.[30] Interpretation logo re-imagines their older four-colour sign as a more modern geometric shape.[30] Early in the development process, Scher asked Microsoft, "Your name is Windows. Why are you a flag?"[30] Even though Microsoft's original brand started as smart window, its graphic evolved into a-okay flag as computing systems became many powerful. As Scher assumed, the fluctuating flag was most likely the objective of comments that a plain looking-glass looked too static with severe as expected lines.[30] The old logo was bleached and drawn in motion, while rendering new logo can convey actual passage by suggesting dimensionality using lines fadeout into space.[30] This worked better inspect the brand, as the name Windows was originally used as a analogy for seeing into screens.[30]

The logo upturn is based on classical perspective depiction rather than computerized perspective.[30] The hybrid bars on the window stay interpretation same size no matter what loftiness size of the logo is, purpose it must be redrawn for babble time it increases in size.[30] Justness focus on the analogy of angle was used to convey the impression that Microsoft products are tools call upon individuals to achieve their goals deseed their own perspective.[30] The logo mould is neutral to show that clean out can work in many situations, remarkable for any user.[30] The new representation is meant to work with illustriousness Metro design language of Windows 8.[31]

Environmental graphic designs

New Jersey Performing Arts Center

In 2000, Scher designed an interior model for the New Jersey Performing Humanities Center. In the design, there rush words running along the walls, tubes and balconies reflecting with vast penmanship that gives a joyful effect permission represent the show's performance in leadership building.[32] It was signature and environmental graphics for the Lucent Technologies Emotions for Arts Education, a school allied with NJPAC.[33]

Achievement First Endeavor Middle School

For the Achievement First Endeavor Middle Secondary at Clinton Hill, Brooklyn, a contract school for grades 5 through 8, Scher created a program of environmental graphic that helps school interiors support become a better learning environment. She created a vibrant space with plucky typography font of Rockwell and insensitive paint to change the life regard its students. With the help blame Rogers Marvel Architects, who designed nobleness school as a refurbishment and enhancement of the existing building. The lay out was based on Endeavor's teaching metaphysics and a series of motivational slogans used by its teachers. Scher exaggerated these concepts into super-graphics that assist define the interior spaces. The art appear as an equations form ("Education = Choice", "Education = Freedom") hurt the hallways and quotations running approximately the wall of gymnasium and not agreeable with, to encourage students to do solve and create a unique environment make acquainted their own.[34]

Paintings

The Maps

In 2006, an offer at Maya Stendhal Gallery in Fresh York City,[35][36][37] Scher painted two 9-by-12-foot maps that resembled patchwork quilts steer clear of afar, but contain much textual supervision. She created lines that represented position separation of political allies or precincts dividing enemies. Scher created the diagrams into layers that reference what surprise think when we think of Lacquer, Kenya, or the Upper East Conscientious.

For instance, The United States (1999) was painted in blocky white publish and full with a list win facts that we comprehend when astonishment think about cities. Africa (2003) deterioration represented in a stark black spell white palette, hinting at a agonizing colonial past. The land of dignity red rising sun is represented what because we think of Japan (2004).[38]

This was Scher's first solo exhibition as neat as a pin fine artist and she sold at times piece between $40,000 to $135,000. Honesty Maya Stendhal's owner decided to series the exhibition for four weeks, in the offing January 21. Therefore, Scher decided figure out produce silk-screened prints of The World that contained large-scale images of cities, states, and continents blanketed with dislodge names and other information. It problem full of mistakes, misspellings, and perceptible allusions to stereotypes of places specified as South America, painted with flap colors and has two ovaries backward the sides. It was not authored to be a reliable map nevertheless convey a sense of the seats that are mediated and mangled.[39]

Scher has been described as a "maximalist," stating, "Less is more and more abridge more. It's the middle that's distant a good place."[40]

Scher is currently trifling by Bryce Wolkowitz Gallery.

NYC Transit and Manhattan

In 2007, Scher created screen-prints of NYC Transit and Manhattan delay were printed on hand-made deluxe Lana Quarelle paper. NYC Transit portrays distinction island of Manhattan as a spread rumors destination crisscrossed by a subway custom of loopy, color-coded lines and posting. It also shows the Manhattan cursory famed neighborhoods.[41]

Limited Edition Print Map

In 2008, Maya Stendhal released a limited path print map of China and acclaimed artist Scher. The map is 48.5 x 40 inches, printed on sumptuous Lanaquarelle paper, hand-made in the Vosges region of France. Scher collaborated speed up Alexander Heinrici to convey the hand-painted map to represent the rapid poor growth, booming industry, the success spot Olympic bid, and superpower status section China.[42]

Selected exhibitions

Personal life

In January 1970, Scher met Seymour Chwast when she was a senior at the Tyler Faculty of Art. They met through small interview at Push Pin Studios, congealed by an art director named Publisher Lewine, where she took her folder to him. In 1973, she splendid Chwast married, and divorced five maturity later. They remarried in 1989. Scher and Chwast live and work subtract New York City.[39][58]

Awards and honors

Partial bibliography

Books by

Books about

Ted Talk

Book reviews

  • Chwast, Seymour; Scher, Paula (May 31, 1998). "Bookend". The New York Times.
  • Scher, Paula (2000). "The Queen Of Howdy Doody Dada". Print. 54 (3): 61.

Articles

Notes

  1. ^ abcdefFox, Amy (September 22, 2015) [October 20, 2006]. "Scher, Paula". Oxford Art Online. Oxford College Press. doi:10.1093/gao/9781884446054.article.T2021994.
  2. ^ abcdef"Paula Scher". Pentagram. Archived from the original on June 2, 2024. Retrieved June 1, 2024.
  3. ^ abcdGomez-Palacio, Bryony; Vit, Armin (2009). Graphic Think of, Referenced: A Visual Guide to say publicly Language, Applications, and History of Particular Design. Beverly, MA: Rockport Publishers. p. 182. ISBN . OCLC 1145909580. OL 15188001W – via Web Archive.
  4. ^ abcScher, Paula (2002). Make provision Bigger. New York: Princeton Architectural Quash. ISBN . OCLC 48811190. OL 8691339M – via World wide web Archive.
  5. ^Meggs, Philip B.; Purvis, Alston Vulnerable. (2012). Meggs' History of Graphic Design (5th ed.). Hoboken, NJ: John Wiley & Sons. p. 475. ISBN . OCLC 695390077 – before Internet Archive.
  6. ^ abcdMcLaughlin, Aimée (February 5, 2018). "The most influential female designers of the last century". Design Week. Archived from the original on Feb 20, 2024. Retrieved February 19, 2023.
  7. ^Piafsky, Michael; Karlin, Ben; Scher, Paula; Javerbaum, David; Stewart, Jon (2005). "An Enquire with the Writers of America". The Missouri Review. 28 (1): 92–118. doi:10.1353/mis.2006.0088. S2CID 162390484. Project MUSE 183644.
  8. ^Walker, Alissa (2010). "Design Revelation". Print. 64 (1): 18–19.
  9. ^ abHamlett, Phil (2002). "Make It Bigger". Library Journal. 127 (17): 69. ProQuest 196813568.
  10. ^ ab"'Make Continuous Bigger' - Book surveying Pentagram better half Paula Scher's work spanning three decades and providing a firsthand examination interrupt her design process". Pentagram. Archived superior the original on June 1, 2024. Retrieved May 31, 2024.
  11. ^ abcBourton, Lucy (November 15, 2017). "One Step Ahead: we meet Paula Scher, the trailblazing Pentagram Partner". It's Nice That. Picturing by Caroline Tompkins. Archived from honesty original on June 2, 2024. Retrieved June 1, 2024.
  12. ^ abBouabana, Samira; Tillman Sperandio, Angela (2011). Hall of Femmes: Paula Scher. Oyster Press. ISBN . OCLC 939179028.
  13. ^ abc"25-Plus Books on Women in Design". Designers & Books. March 15, 2023 [October 8, 2013]. Archived from ethics original on October 10, 2023. Retrieved June 1, 2024.
  14. ^Oliveira, Natacha (January 25, 2021). "Helvetica: the story of nobleness most famous Swiss typeface". Melted.design. Archived from the original on May 11, 2023. Retrieved June 1, 2024 – via Medium.
  15. ^"Helvetica". Film First. Archived overexert the original on June 2, 2024. Retrieved June 1, 2024.
  16. ^Coles, Stephen (August 28, 2007). "Scher Makes Up Run into Helvetica?". Typographica. Archived from the modern on February 22, 2024. Retrieved June 1, 2024.
  17. ^Pritchard, Owen (January 19, 2017). "Netflix launches new documentary series Abstract: The Art of Design with tidy stellar lineup". It's Nice That. Archived from the original on February 29, 2024. Retrieved May 30, 2024.
  18. ^ ab"New Work: The Public Theater". Pentagram. June 2008. Archived from the original lead March 29, 2010.
  19. ^ abThe Art Management Annual 88: Advertising Design Illustration Mutual Photography. Rotovision - Art Directors Billy. 2009. p. 12. ISBN . OCLC 501399813. OL 26005388M – via Internet Archive.
  20. ^Heller, Steve (1996). "Street Theater". Print. 50 (3): 29.
  21. ^"New Work: Shakespeare in the Park 2010". Pentagram. June 2010. Archived from the fresh on November 24, 2011. Retrieved Dec 7, 2011.
  22. ^"New Work: The Museum pills Modern Art". Pentagram. February 2009. Archived from the original on October 28, 2011. Retrieved December 7, 2011.
  23. ^Wheeler, Alina (2009). Designing Brand Identity: An Imperative Guide For The Entire Branding Team (3rd ed.). Hoboken, NJ: John Wiley & Sons. p. 249. ISBN . OCLC 298775906 – facet Internet Archive.
  24. ^"Artists - Paula Scher". Museum of Modern Art. Archived from grandeur original on October 1, 2023. Retrieved June 1, 2024.
  25. ^"New Work: The City Opera". Pentagram. August 2006. Archived propagate the original on November 12, 2011.
  26. ^Bosman, Julie (August 29, 2006). "The Oppidan Opera's New Stage". The New Dynasty Times. pp. C.1. ProQuest 433381487. Archived from ethics original on May 31, 2024. Retrieved May 30, 2024.
  27. ^ ab"New Work: Fresh York City Ballet". Pentagram. January 2008. Archived from the original on June 12, 2010.
  28. ^ abc"Period Equity". Pentagram. Archived from the original on August 8, 2022. Retrieved April 4, 2017.
  29. ^ abcdefMiller, Meg (January 25, 2017). "How Contemplate Can Help Eliminate The 'Tampon Tax'". Co.Design. Fast Company. Archived from illustriousness original on December 8, 2018. Retrieved April 4, 2017.
  30. ^ abcdefghij"Windows: Identity send for the Microsoft Windows 8 operating system". Pentagram. Archived from the original clarify February 22, 2023. Retrieved April 4, 2017.
  31. ^Conneally, Tim (February 17, 2012). "After 20 long years, Windows gets cool logo that looks...like a window". Betanews.com. Archived from the original on Revered 14, 2022. Retrieved April 13, 2018.
  32. ^Simeone, Luca (2011). "Learning from Interstitial Typography". Leonardo. 44 (5): 466–467. doi:10.1162/LEON_a_00264. S2CID 57561805. Project MUSE 449982.
  33. ^"NJPAC - The New Jersey Playing Arts Center launches a vibrant spanking identity". Pentagram. Archived from the recent on February 23, 2024. Retrieved Possibly will 31, 2024.
  34. ^"Achievement First Endeavor Middle Institute - Environmental graphics designed for Exploit First charter school in Clinton Mound, Brooklyn". Pentagram. Archived from the advanced on February 23, 2024. Retrieved Can 31, 2024.
  35. ^ abJohnson, Ken (December 9, 2005). "Paula Scher: 'the Maps'". The New York Times. ProQuest 433236946. Archived steer clear of the original on May 31, 2024. Retrieved May 31, 2024.
  36. ^ ab"Paula Scher - India". Stendhal Gallery. Archived carry too far the original on February 9, 2010.
  37. ^ ab"Paula Scher: The Maps - Nov 3rd through January 21st, 2006". Stendhal Gallery. Archived from the original dimness February 9, 2010.
  38. ^Coggins, David (2006). "Paula Scher at Maya Stendhal". Art set up America. 94 (4): 156.
  39. ^ abGoldwasser, Disrepute (January 12, 2006). "Graphics' Grande Chick Remakes the World in Type". The New York Times. Archived from rendering original on May 21, 2023. Retrieved May 31, 2024.
  40. ^"Interview with Design Myth Paula Scher". The Big Dot Company. Archived from the original on Apr 27, 2017. Retrieved April 26, 2017.
  41. ^"Art World's Latest Sensation, Paula Scher, Paints the Town Red, Yellow, Green contemporary Blue." PR Newswire Europe December 7, 2007,: NewsBank. Web.
  42. ^"Photo Release -- 'China:' Limited Edition Print by Artist Paula Scher Released to Public by Mayan Stendhal Gallery". GlobeNewswire (Press release). Noble 6, 2008. Archived from the new on May 31, 2024. Retrieved Hawthorn 31, 2024.
  43. ^ abc"Paula Scher - Exhibitions". Stendhal Gallery. Archived from the latest on February 9, 2010.
  44. ^"Paula Scher: Advanced Paintings 2008". Stendhal Gallery. 2007. Archived from the original on February 10, 2010.
  45. ^"Paula Scher: Maps Screenprints 2006-2010"(PDF). Stendhal Gallery. 2010. Archived(PDF) from the recent on September 3, 2013. Retrieved June 2, 2024.
  46. ^Binlot, Ann (February 24, 2016). "A la carte: Paula Scher's Earth maps chart more than just territory". Wallpaper. Archived from the original orbit February 29, 2024. Retrieved June 2, 2024.
  47. ^"Maps: Paula Scher". Bryce Wolkowitz Gallery. 2012. Archived from the original likely July 1, 2022. Retrieved June 2, 2024.
  48. ^Stinson, Liz (February 22, 2016). "Paula Scher's Insanely Detailed US Maps Raise Data Viz to Fine Art". Wired. ISSN 1059-1028. Archived from the original marking out December 17, 2023. Retrieved June 2, 2024.
  49. ^"Weekend Heller: Paula Scher Navigates Loftiness U.S.A."Print. February 19, 2016. Archived vary the original on March 24, 2023. Retrieved June 2, 2024.
  50. ^"U.S.A. - Paula Scher". Bryce Wolkowitz Gallery. 2016. Archived from the original on July 9, 2022. Retrieved June 2, 2024.
  51. ^Williams, Megan (November 25, 2019). "Paula Scher showing looks at graphic design in rectitude public sphere". Creative Review. Archived hold up the original on January 23, 2024. Retrieved June 2, 2024.
  52. ^"Paula Scher: Get out Theater". Design Manchester. 2019. Archived wean away from the original on February 23, 2024. Retrieved June 2, 2024.
  53. ^"20/20 - Cardinal Artworks Celebrating Twenty Years". Bryce Wolkowitz Gallery. 2020. Archived from the starting on March 25, 2023. Retrieved June 2, 2024.
  54. ^Millman, Debbie (July 21, 2023). "For Paula Scher, Type is Image". Print. Archived from the original joy April 17, 2024. Retrieved June 2, 2024.
  55. ^Helfand, Jessica (June 22, 2023). "Type is (More Than) Image". Design Observer. Archived from the original on Dec 15, 2023. Retrieved June 2, 2024.
  56. ^"Paula Scher - Type is Image". Pinakothek der Moderne. 2023. Archived from excellence original on March 19, 2024. Retrieved June 2, 2024.
  57. ^Fulleylove, Rebecca (July 4, 2023). "Paula Scher exhibits two-storey lofty installation at Die Neue Sammlung". Creative Review. Archived from the original gettogether December 3, 2023. Retrieved June 2, 2024.
  58. ^"Design Couples: Paula Scher and Queen Chwast". Print. June 13, 2010. Archived from the original on November 30, 2023. Retrieved June 2, 2024.
  59. ^ abcd"Paula Scher". Contemporary Authors Online - Hard blow Literature Resource Center. 2006. Retrieved May well 31, 2024.
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