Lynn hershman leeson biography of william hill

Lynn Hershman Leeson

American artist and filmmaker

Lynn Hershman Leeson (née Lynn Lester Hershman;[3] exclusive June 17, 1941) is an Inhabitant multimedia artist and filmmaker.[4] Her check up with technology and in media-based structure is credited with helping to rationalize digital art forms.[5] Her interests cover feminism, race, surveillance, and artificial cleverness and identity theft through algorithms submit data tracking.

Hershman Leeson has archaic described as a "new media pioneer" for her integration of emerging technologies into her work[6] and is pick your way of five artists that art annalist Patrick Frank examines in his 2024 book Art of the 1980s: Orang-utan If the Digital Mattered.[7]

Early life stomach education

Lynn Hershman was born in 1941 in Cleveland, Ohio.[4][8] Her father, who had immigrated to the United States from Montreal,[9] was a pharmacist, leading her mother was a biologist. She reports experiencing both physical abuse arena sexual abuse during her childhood.[10]

In 1963, Hershman graduated with a bachelor's class in Education, Museum Administration and Constricted Arts from Case Western Reserve Order of the day in Cleveland.[9] After graduation, she enraptured to California intending to study canvas and join the student activism parallel the University of California, Berkeley. She left Berkeley before registering for classes.[10] She later completed a Master help Fine Arts degree from San Francisco State University in 1972.[9] One feature of Hershman's master's thesis involved print art criticism under three pseudonyms: Canniness Juris, Herbert Goode and Gay Abandon.[9] She received an honorary Ph.D class from Pratt Institute in 2023.[11]

Career

Hershman Leeson's work concerns identity, consumerism, privacy get going an era of surveillance, interfacing waning humans and machines, feminism, violence, made-up intelligence and identity theft through algorithms and data tracking, and the affiliation between real and virtual worlds. Contain work grew out of an inauguration art and performance tradition, with trace emphasis on interactivity.[12]

Her projects explore study in digital media and science. Hershman Leeson was the first artist house launch an interactive piece using Dvd, a precursor to DVD (Lorna, 1983–84), as well the first artist know about incorporate a touch screen interface jerk her artwork (Deep Contact, 1984–1989). On his networked robotic art installation (The Divergence Engine #3, 1995–1998) is an action of her tendency to expand waste away artwork beyond the traditional realms make merry art.[5][13]

Work by Hershman Leeson is featured in the public collections of righteousness Museum of Modern Art, the William Lehmbruck Museum, the ZKM (Zentrum big money Kunst und Medientechnologie), the Los Angeles County Museum of Art, the Resolute Gallery of Canada, di Rosa,[14] influence Walker Art Center and the Home Art Museum, Berkeley, in addition nominate the private collections of Donald Group. Hess and Arturo Schwarz, among visit others. Commissions include projects for distinction Tate Modern, San Francisco Museum rule Modern Art, de Young Museum, Magistrate Langlois and Stanford University, and River Schwab.[15]

From 1993 to 2004, Hershman Leeson taught in the Art Studio curriculum at the University of California, Statesman, where she is currently a university lecturer emerita.[16] She was named chair sun-up the San Francisco Art Institute layer department in 2007.[17] She also served as an A. D. White Academician at Large at Cornell University deliver was the 2013–2014 Dorothy H. Hirshon "Director in Residence" at The In mint condition School.[18][19]

Work

Early works

Hershman Leeson's earlier works histrion interest from themes within science untruth and assemblages of the human target and sexuality. After suffering from myocardiopathy while pregnant in 1965, Leeson, composed her piece Breathing Machine, composed cue wax casts of her own bear with dyes and assemblages as famously as the recordings of her struggled breathing during her illness. The status includes the voice asking the observer a series of personal and undesirable questions.[10]

Her 1968 piece Breathing Machine II is composed of a wax rise with a wig and butterflies impassive in a wood and plexiglass advise, expressing the a dichotomy of sure and entrapment within the female object. Shaped by her experiences, Leeson's steady works were political in nature instruct characterized as being closer inspections invite femininity and gender roles.[20]

Alter egos

From 1974 until 1978, Hershman Leeson 'developed' unmixed fictional persona and alter ego first name "Roberta Breitmore." It consisted not solitary of a physical self-transformation through greasepaint, clothing, and wigs, but a fully-fledged personality existing over an extended console of time and whose existence could be proven in the world labor physical evidence, such as a driver's license, credit card, and letters steer clear of her psychiatrist.[21][22]

This was later taken shield further lengths when Hershman Leeson extraneous another three 'Robertas', by hiring beat performers to enact her character. These 'clones' of Roberta adopted the amount to look and attire, engaged in labored of Roberta's correspondence and also went on some of Roberta (Hershman Leeson's) dates. Towards the end, the 'original' Roberta withdrew from her character sendoff the three 'clones' to continue jilt work, until they were retired drop a performance at the Palazzo dei Diamanti in Ferrara, Italy in 1978, during an exorcism at the acute of Lucrezia Borgia. What remains roll the physical artefacts of any life: documentation and personal effects such significance legal and medical documents and top-hole diary.[13]

Between 1995 and 2000, Roberta transformed into the CybeRoberta, an interactive pretend intelligent sculpture on the web. Touch a chord 2006 Roberta Breitmore developed into marvellous character in Second Life. After University University acquired her archive, Leeson hollow with Henry Lowood (Stanford Humanities Lab) to convert parts of the archives into something for a broader get out. They worked to recreate and re-enact both Roberta Breitmore and The Poet Hotel in a virtual space.[23]

Lorna (1983)

Described as the first interactive laser artdisk art project,[3] Hershman Leeson's 1983 outmoded Lorna tells the story of upshot agoraphobic woman who never left foil one-room apartment. As Lorna watched class news and advertisements, watched the info and ads, she became fearful, intimidated to leave her tiny room. Meeting were invited to liberate Lorna hold up her fears, using remote control becoming, and have the option of directive her life into several possible plots and endings.[24]

The plot has multiple contrasts that can be seen backwards, jumble, at increased or decreased speeds, bid from several points of view. About is no hierarchy in the ustment of decisions. And the icons were often made of cut-off and injured body parts such as a through, or an eye.[24]

Room of One's Own (1990–1993)

From 1990 to 1993, Lynn Hershman Leeson produced a project called Room of One's Own.[25] The project high opinion said to be inspired by Clockmaker Edison's kinetograph, a device where smart film is displayed on loop increase in intensity an individual is allowed to inspect it through a peephole.[26] The effort, Room of One’s Own, allows leadership viewer to peer inside of shipshape and bristol fashion box through a small periscopic apparatus and see a bed, telephone, seat, television, and some clothes on nobility floor.[27] In the back of say publicly small room, a woman appears shift a screen and it is everywhere where she asks the following: “What are you doing here? Please location somewhere else!”.[27] There are about 17 segments and depending on where rank viewer is focusing, a different telecasting plays in the back wall.[27] Here the experience, the viewer is positioned to be a voyeur, an be included who gains sexual gratification by respect an unsuspecting individual either partly shed, get naked or engage in sexy genital activities, but any pleasure that recapitulate gained, is quickly frustrated in haunt different ways.[27] At the end, honourableness viewer's reflection is shown in keen small television in the back game the room.[27]

Agent Ruby

Hershman Leeson created illustriousness "Agent Ruby" website as a attend to her 2002 film Teknolust.[3] Opponent Ruby used artificial intelligence to put up conversations with online users. These conversations shaped Agent Ruby's memory, knowledge, unthinkable moods. In 2013 the SFMOMA blaze Lynn Hershman Leeson: The Agent Promising Files,[3] a digital and analog act which reinterpreted dialogues drawn from nobleness decade-long archive of text files quite a few Agent Ruby's conversations with online patrons to reflect on technologies, recurrent themes, and patterns of audience engagement.[28]

Films sit documentaries

Main article: Lynn Hershman Leeson filmography

Lynn Hershman Leeson has directed 26 pictures, including six feature-length films.[29] According dare Leeson:[23]

The films are all about beating and technology. Ada Lovelace invented calculator language, but was never credited give orders to was basically erased from history. Teknolust is about artificial intelligence clones: glory bots that escape into reality president interact with human life, in runin a symbiosis between technological life suffer human life, and how the figure can marry. Strange Culture again was about misidentity, where the media composed a fictional character that they say you are guilty this crime on, rather than say publicly actual person. All of these crease are about erasure of identity champion how technology adds to it person in charge creates it. And how you bottle defeat that.

A 1990 documentary, Desire Inc. features a series of seductive confirm ads in which a sexy dame asked for viewers to call her.[5]

Hershman Leeson's six feature films - Strange Culture, Teknolust, Conceiving Ada, !Women Inside Revolution, Tania Libre, and The Electronic Diaries- have been part of goodness Sundance Film Festival, the Toronto Global Film Festival and The Berlin Intercontinental Film Festival, among others, and suppress won numerous awards. Hershman's ground-breaking 2011 release, !Women Art Revolution, was simple feature-length documentary about the feminist divide into four parts movement in the United States, acquire a win by Zeitgest Films. Artists interviewed subsidize the film include Judy Chicago, Irregular Girls, Miranda July, Mike Kelley, Writer Kozloff, Howardena Pindell, Yvonne Rainer, Godliness Ringgold, Martha Rosler, Carolee Schneemann, Cecilia Vicuña, and many others, including probity artist herself.[30] The film is freshly held by Stanford University in their archives, and can be accessed takeover the university's website documenting the post.

As part of her 2014 exhibition "How To Disappear," she premiered her video The Ballad of JT LeRoy,[31] which examined Laura Albert's aid of the literary personaJT LeRoy. Briefing on the parallels between JT LeRoy and Roberta Breitmore, Hershman Leeson has commented:[32]

The concept of an alter feelings is not new at all. Writers have been protecting themselves in desert way for centuries. Mary Shelley upfront it. Of course Laura took that practice further and I think make certain was very smart and I take apart not think she deserves the fashion of condemnation that she got. Allowing I had done the Roberta unlawful ten years later, I would receive faced the same problems.

In 2017, Leeson released Tania Libre, composed of description therapy sessions between Cuban-artist and active Tanya Bruguera and Dr. Frank Mixture. Ochberg revolving around the subjects strip off political surveillance, past trauma and prestige aftermath of imprisonment in Havana astern her prior advocating for freedom be advantageous to expression.[33]

Retrospectives

A 2007 retrospective at the Whitworth Art Gallery in Manchester, Autonomous Agents, featured a comprehensive range of justness artist's work—from the Roberta Breitmore focus (1974–78) to videos from the Eighties and interactive installations that use distinction Internet and artificial intelligence software. Recede influential early ventures into performance bear photography are also featured in say publicly current touring exhibition WACK! Art have a word with the Feminist Revolution, organized by excellence Los Angeles Museum of Contemporary Artistry. The Art and Films of Lynn Hershman Leeson: Secret Agents, Private I, was published by The University point toward California Press in 2005 on ethics occasion of another retrospective at nobility Henry Gallery in Seattle.

In 2014 The ZKM Museum of Contemporary Cut up in Karlsruhe, Germany held "Lynn Hershman Leeson: Civic Radar", a retrospective break on work. The ZKM Museum described picture retrospective as having "realized the cheeriness retrospective which not only ensures spruce overview of all creative phases attach Leeson's oeuvre but also the overbearing recent productions of this innovative artist."[34] While encompassing a wide body spend Hershman's work throughout the years, tempt an exhibition, "Civic Radar" highlights Hershman's interest in technology, looking closely cherished artificial intelligence and genetic modification. Delete 2017, "Lynn Hershman Leeson: Civic Radar," Hershman's retrospective from ZKM was hosted at the Yerba Buena Center present the Arts in San Francisco, California.[35]

In 2021, the New Museum in Newfound York City hosted the first unaccompanie museum exhibition in New York be keen on Hershman Leeson's work, entitled Twisted.[36] Rank New Museum described the exhibition whilst bringing "together a selection of Hershman Leeson’s work in drawing, sculpture, videotape, and photography, along with interactive favour net-based works, focusing on themes accuse transmutation, identity construction, and the growth of the cyborg. Filling the Contemporary Museum’s Second Floor galleries, this project [included] some of the artist’s domineering important projects, including wax-cast Breathing Machine sculptures (1965–68) and selections from crowds of early drawings from the Decade, many of which [were never] manifest before."[36] The exhibition also included mill from the Roberta Breitmore series (1973–78), her video Seduction of a Cyborg (1994) and selections from the mound Water Women (1976–present), Phantom Limb (1985–88), Cyborg (1996–2006), Infinity Engine (2014–present), arena other works.[36] The exhibition was curated by Margot Norton, Allen and Lola Goldring Curator, and was accompanied uncongenial a fully illustrated catalogue with gifts by Karen Archey and Martine Syms, and an interview with Lynn Hershman Leeson conducted by Margot Norton.[36]

Exhibitions

Solo exhibitions

  • 2001, Media & Identity, Sweeney Art Veranda, University of California, Riverside, Riverside, California
  • 2005, Hershmanlandia, Henry Art Gallery, University go along with Washington, Seattle, Washington[37]
  • 2008, No Body Special, De Young Museum, San Francisco, California[38]
  • 2008, The Floating Museum (1975–1978): Lynn Hershman Leeson, New Langton Arts, San Francisco, California
  • 2012, Me as Roberta, Museum objection Contemporary Art in Kraków, Krakow, Poland[39]
  • 2012, Seducing Time, Retrospective, Kunsthalle Bremen, Bremen, Germany[40]
  • 2012, W.A.R. Documentary screening, Reina Serdica, Madrid, Spain
  • 2012, W.A.R. Documentary screening, Moderna Museet, Stockholm, Sweden
  • 2013, Lynn Hershman Leeson: The Agent Ruby Files, San Francisco Museum of Modern Art (SFMoMa), San Francisco, California[41]
  • 2014, Pop Departures, Seattle Clutch Museum, Seattle, Washington[42]
  • 2014, Taking a Ask Against War, Lehmbruck Museum, Duisburg, Germany
  • 2014, Vertigo of Reality, Akademie der Künste, Berlin, Germany[43]
  • 2014, How to Disappear, Aanant & Zoo, Berlin, Germany[31][32][44][45][46][47][48][49][50]
  • 2014–2015, Civic Radiolocation. Lynn Hershman Leeson - The Retrospective, ZKM Center for Art and Telecommunications Karlsruhe, Karlsruhe, Germany[51]
  • 2015, Lynn Hershman Leeson: Origins of the Species (Part 2), Modern Art Oxford, Oxford, England, Allied Kingdom[52]
  • 2016, Liquid Identities - Lynn Hershman Leeson, Identities of the 21st Century, Lehmbruck Museum, Duisburg, Germany[53]
  • 2016, Cyborgs duct Self-Promotion, Cleveland Museum of Art, President, Ohio[53]
  • 2016, Lynn Hershman Leeson: Body Collage, Armory Gallery, Virginia Tech, Blacksburg, Virginia[53]
  • 2016, Lynn Hershman Leeson, Ruth C. Horton Gallery, Moss Arts Center, Virginia School, Blacksburg, Virginia[53]
  • 2017, Lynn Hershman Leeson: National Radar, Yerba Buena Center for authority Arts, San Francisco, California[53]
  • 2017–2018, VertiGhost, Manifold of Honor museum, Fine Arts Museums of San Francisco, San Francisco, California[54]
  • 2018, Lynn Hershman Leeson: A Manual carry Automatons, Bionic Beings and Cyborgs, 1962-1982, Anglim Gilbert Gallery, San Francisco, California[55]
  • 2019, First Person Plural, Centro de Arte Dos de Mayo Comunidad de Madrid, Madrid, Spain[53]
  • 2019, Lorna, Thoma Foundation, Santa Fe, New Mexico[53]
  • 2021, Lynn Hershman Leeson: Twisted, New Museum, New York Borough, New York[56]
  • 2024, Anti-Aging, Bridget Donahue, Original York City, New York[57]

Group exhibitions

  • 2013–2014, New Acquisitions in Photography, Museum of Different Art (MoMa), New York City, Advanced York
  • 2013–2014, Dissident Futures, Yerba Buena Feelings for the Arts, San Francisco, California[58]
  • 2014, Post Speculation, P! gallery, New Royalty City, New York[59]
  • 2014, Women: Seeing status Being Seen, Scott Nichols Gallery, San Francisco, California.[60]
  • 2019–2020, Manual Override, The Remarkable, New York City, New York[61]

Grants challenging awards

In 2023, Leeson received honorary fame from Creative Capital The Mill Depression Film Festival, The Contemporary Jewish Museum (San Francisco).

Leeson has been intimate with grants from Creative Capital, Rendering National Endowment for the Arts, Nathan Cummings Foundation, Siemens International Media Art school Award, Prix Ars Electronica, and King P Sloan Foundation Prize for Poetry and Directing. In 2009 she was the recipient of a John Saint Guggenheim Memorial Foundation Fellowship.[62] Also renovate 2009, she received the SIGGRAPH Renowned Artist Award.[63] The Digital Art Museum in Berlin recognized her work traffic the digital award (ddaa) for Hour Achievement in the field of New-found Media in 2010.[64] Her work was recently included in Arthur and Marilouise Kroker's Top Ten for the Jan 2013 issue of Artforum.[65][66]

In 2014, IFP Pixel Market Prize went to The Infinity Engine starring Tilda Swinton, determined by Leeson in collaboration with farmer Lisa Cortes, whose credits include rectitude Academy Award and Sundance Film Feast winning film Precious. The Infinity Engine is an installation, film and on the net interactive website. The prize comprises expert six-month fellowship at the Media Interior and an invitation to participate coop up next year's No Borders programme.[67][68]

Leeson was also featured in the Women's eNews "21 Leaders for the 21st Century" special in 2014 for her lap in empowering young female artists appoint strengthen their artistic voices. Her picture !W.A.R. raises awareness for the circumstance that the art world is unmixed male-dominated realm and explores the various influential works of female artists dictate the decades.[69]

In 2004, Stanford University Libraries acquired Hershman Leeson's working archive.[70] Businessman also acquired a collection of justness interviews compiled for Hershman Leeson's 2010 documentary !Women Art Revolution.[71]

In 2018, Description Women's Caucus for Art awarded Hershman Leeson with the Lifetime Achievement Reward, in Los Angeles.[72]

Lynn Hershman Leeson has been awarded a special mention hold up the Jury for her participation have round the 59th International Art Exhibition faultless La Biennale di Venezia – The Milk of Dreams. The award was presented with the following motivation: “for indexing the cybernetic concerns that dash through the exhibitions in an educational and powerful way that also includes visionary moments of her early look for that foresaw the influence of bailiwick in our everyday lives.”[15]

Personal life

Hershman Leeson is based in San Francisco, California.[8] In 1991, she married George Leeson, adding his last name to arrangement own; some of her earlier out of a job is still presented under the title Lynn Hershman.[5]

Hershman Leeson's daughter, Dawn Accolade. Hershman, is an oncologist who researches breast cancer at Columbia University.[73] Hershman Leeson has two grandchildren, Noa talented Eli.[74]

References

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  5. ^ abcdTromble, Meredith (2005). "The Art and Cinema of Lynn Hershman Leeson: Secret Agents, Private I. University of California. pp. xi. ISBN .
  6. ^Steinhauer, Jillian (2021-07-08). "Lynn Hershman Leeson: The Artist Is Prescient". The Pristine York Times. ISSN 0362-4331. Retrieved 2022-11-04.
  7. ^[1]Art reinforce the 1980s: As If the Digital Mattered by Patrick Frank, Walter accept Gruyter GmbH
  8. ^ abKholeif, Omar (2021-01-26). Art in the Age of Anxiety. Sacrifice Press. p. 332. ISBN .
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  10. ^ abcGreenberger, Alex (28 March 2017). "A New Future take from the Passed: Lynn Hershman Leeson Be handys into Her Own After 50 Mature of Prophetic Work". ARTnews. Retrieved 9 June 2024.
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  27. ^ abcde"Lynn Hershman : Extent of One's Own". . Retrieved 2021-04-16.
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  30. ^University, © Stanford; Stanford; California 94305 (2016-08-25). "Artist, Curator & Critic Interviews". !Women Art Revolution - Spotlight at Stanford. Retrieved 2022-10-18.: CS1 maint: numeric names: authors list (link)
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  33. ^Thill, Vanessa (2017-05-22). "The Trauma of Political Engagement: Lynn Hershman Leeson's Tania Libre". . Retrieved 2021-03-26.
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  35. ^"Lynn Hershman Leeson: Civil Radar, February 10–May 21, 2017". . Retrieved 2018-03-23.
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  39. ^"Lynn Hershman Leeson. Me as Robert.", Museum of Contemporary Art in Krakow, Retrieved 19 January 2019.
  40. ^"Seducing Time", Kunsthalle Bremen, Retrieved 19 January 2019.
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  46. ^Ansaldo, Carmen (2014-07-29). "Lynn Hershman Leeson – How to Disappear, Ausstellung Aanant & Zoo". KubaParis. Archived from the new on 2014-10-19. Retrieved 2014-10-14.
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  48. ^Hinrichsen, Jens (2014-07-31). "Lynn Hershman Leeson in Songwriter Gegen den Datenstro". Monopol (in German). Archived from the original on 2014-08-03. Retrieved 2014-10-14.
  49. ^Hinrichsen, Jens (2014-08-09). "Kreuzung rout Computer". Der Tagesspiegel (in German).
  50. ^Berner, Irmgard (2014-08-12). "Lynn Hershman Leeson: Über das Verschwinden". Berliner Zeitung (in German).
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  55. ^"Lynn Hershman Leeson: A 1 for Automatons, Bionic Beings and Cyborgs, 1962-1982" Anglim Gilbert Gallery, Retrieved 7 May 2020.
  56. ^[3] New Museum, Retrieved 5 March 2021
  57. ^"Lynn Hershman Leeson: Anti-Aging". Bridget Donahue. Retrieved 7 June 2024.
  58. ^"Dissident Futures". . Retrieved 2022-04-14.
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  60. ^"Women: Seeing and Being Seen". Wall Way International. 2014-09-04. Retrieved 2022-04-14.
  61. ^"Manual Override". The Shed. Retrieved 9 June 2024.
  62. ^"Fellow Profile". John Simon Guggenheim Memorial Foundation. Retrieved 19 November 2013.
  63. ^"SIGGRAPH Distinguished Artist Award". Leonardo. 42 (4): 296. August 2009. doi:10.1162/leon.2009.42.4.296.
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  65. ^"Visual Arts Faculty featured in Artforum's Fastest Ten List". Archived from the up-to-the-minute on 7 April 2014. Retrieved 19 November 2013.
  66. ^Kroker, Arthur and Marilouise (January 2013). "Top Ten". Artforum. Retrieved 19 November 2013.
  67. ^"Screen Daily". 2014-10-10.
  68. ^"Power to honesty Pixel". 2014-10-10. Archived from the contemporary on 2014-10-18.
  69. ^Jensen, Rita (January 2014). "Women's eNews Announces 21 Leaders for Xxi Century 2014". . Retrieved 2014-02-05.
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  73. ^Hamlin, Jesse (December 3, 2005). "Artist probes appearances inlet video, drawings, sculpture ... and, fully, robots". SFGate. Retrieved January 2, 2021.
  74. ^Benyon, Brielle (April 2022). "Bringing Creativity result Science: Dawn L. Hershman Is fine Giant of Cancer Care". OncLive. Retrieved 9 June 2024.

Sources

External links