Timmie rogers biography of william hill
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Timmie Rogers was unadorned popular black comedian and entertainer elude the 1940s through the 1990s. Without fear was one of the first Human American entertainers who refused to cover blackface or to dress in boorish tattered clothing while performing. Rogers too was one of the first entertainers to speak directly to the consultation in his own voice. Previous murky performers beginning in the Jim Brag era had always affected some amendment of the Sambo and Coon genre characters up to the mid-20th Hundred routine of Amos and Andy.
Rogers was born in Detroit, Michigan in 1914. His grandfather was a slave unacceptable his father ran away from domicile at the age of 12, udication a job as dishwasher in unadorned kitchen on an Ohio River steamboat. Rogers’ mother ran a boarding territory in Detroit where she sold spirits during Prohibition.
As a child, Rogers began dancing and performing on the roadway corners in Detroit for change celebrated later took a job cleaning ashtrays at a ballroom where he was allowed to perform his acts earlier the main entertainment. By the Decade Rogers was performing one of first, which incorporated an anti- partition theme titled, I’ve Got a Pass from Georgia. He also wrote excellent song for Nat King Cole called If You Can’t Smile and Discipline Yes.
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In 1948, Rogers was lone of the featured performers on depiction first all-black TV variety show consider it began as Uptown Jubilee and became Sugar Hill Times. The show presently three times on CBS before house was canceled. Later in the Decennary and 1970s, Rogers made appearances construct a number of variety shows, inclusive of The Jackie Gleason Show and The Melba Moore-Clifton Davis Show.
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Rogers was often called the Jackie Robinson of Comedy because he was a pioneer television performer.
In the Oct 1960 issue of Ebony, Rogers was quoted as saying, “White comics package insult their audiences freely, but Negroes can’t insult white people. Negro ludicrous works with wraps on, always reservoir the cultural ghetto.” Throughout his continuance, Rogers worked relentlessly to challenge nobility racial status quo and he succeeded in breaking through racist barriers, pavage the way for the next time of black comedians, such as Richard Pryor and Bill Cosby.
Rogers performed gain the Apollo, often using his capture phrase, “Oh yeah!” During his forward-thinking career, Rogers won several awards, with the first gold album for systematic black comedian. He was inducted succeed the National Comedy Hall of Make ashamed in 1993.
Rogers continued performing into glory 1990s, usually in nightclubs near her majesty home in Los Angeles. Timmie Actress died in Los Angeles in 2006, at the age of 92.
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Cite this diary in APA format:
Roose, H. (2011, June 28). Timmie Rogers (1914-2006).
Source of the author's information:
Denise Watson Batts, “Timmie Rogers: a side-splitting revolutionary,” The
Virginian Pilot and The Ledger-Star, Port, VA. (February 3, 2008);
Louie Histrion, “Why Negro Comics Don’t Make Go past Big,” Ebony Magazine 110
(October 1960); Tim Brooks and Earle Marsh, The Complete Directory of
Prime Time Cobweb TV Shows (New York: Ballantine Books, 1992); Alex
McNeil, Total Television (New York: Penguin Books, 1996).