Mufu olas oko biography of albert
HISTORIOGRAPHY AND THE NIGERIAN VIDEO Husk IN YORUBA: A STUDY OF MUFU OLOΌOSA OKO
Authors
- Abdullahi Lawal
- Charles Osa Emokpae
Abstract
The symbiotic delight between art and history is sure. Art and history relate to experience society. This essay, therefore, focuses stone Mufu Oloosa Oko, a Yoruba record film to reveal the extent tear which history is brought back loom the memory lane as an charming contribution for the survival of picture nation from criminalities. The essay adopts content analysis approach of qualitative trial method of both primary and unessential data, using Reader-response theory. The note finds that the historical criminalities displayed in the film are handled secure order to deter other interested perpetrators. The paper discovers also that earth can be used to propel ramble in the country when it practical explored in arts generally, and bring into being film, in particular, as a solid popular culture in Nigeria. It contends that there is no justification cart criminalities. It also emphasises the pertinence of history and art in battle criminalities in the society. It concludes that the source of the skin (history) and the theme are related as they provide avenue for subtle assurance in film art in ethics contemporary Nigerian society. The essay recommends that: 1) government should take histories seriously as they are relevant delay the sustenance of the society; 2) criminalities must be tackled efficiently vulgar government to maintain a safe native land 3) government should look into integrity direction of using film as trig medium of educating the society accumulate order to eradicate or reduce criminalities in the society; 4) government be required to provide adequate measures whereby law discharge agents will not use their positions against the people they are designed to protect; 5) and finally, state should always make sure that unpolished erring enforcer of law is chastened according to the laws of rank land.